This is the third album by einstã rzende neubauten also known as halber mensch originally released in 1985.
Einstã rzende neubauten vinyl.
With 4 page folded insert.
Electronic rock style.
Sides c d are a 12 extra vinyl of live tracks included only with this version of the release.
Management and coordination at einstürzende neubauten gbr beusselstr.
Grundstuck is a rare piece of the big einsturzende neubauten puzzle being initially released only for the benefit of an elite club of close supporters in 2005.
At a time in germany in which the wall encircling west berlin transformed the city into a state subsidized near paradisiacal freak enclave for artists einstã rzende neubauten offered cathartic cascades of noise employing steel parts tin drums drills hammers saws and untuned electric guitars all crowned by bargeld s bloodcurdling screams and feverish apocalyptic texts.
ˈaɪnˌʃtʏɐtsəndə ˈnɔʏˌbaʊtən collapsing new builds is a german experimental music group originally formed in west berlin in 1980.
Thrillingly the material here captures the band in a work in progress state so we get a rougher more direct kind of neubauten sound.
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There is 34 seconds of no audio between tracks b5 and b6.
Bmg 538013761 format.
Mastered at monoposto düsseldorf.
Einstürzende neubauten german pronunciation.
The group is currently composed of founder members blixa bargeld lead vocals.
Also logo s of ze records and some bizzare on back cover and labels.
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A concept of conceptlessness was created at that time from a spontaneous idea many thought it was an april fool s joke when the einstürzende neubauten first stood on the stage at berlin s moon on april 1 1980.
Vocals long time contributor alexander hacke.
2x vinyl lp album country.
No label code stated on center labels or elsewhere on the release.
Initial quantities of the first pressing included a 16 page din a 4 b w booklet with discography lyrics and photos.
The 1st pressing with rip off vertrieb credited on the back cover.
Published by freibank musikverlage hamburg.
The album opens with the startlingly oppressive almost fully a cappella title track with contrapuntal atonal en masse chanting.
More than 35 years ago from which the brilliant dilettantes developed their own strategy against social and musical architecture using metal pipes feathers.